When you see Japanese artworks, how do they make you feel? Maybe you are delighted by the lively fish painted by Maruyama Oshin or made to feel secluded by the solitary vending machines photographed by Ohashi Eiji. These responses connect you to art viewers long ago in Japan who likely experienced similar emotions when seeing these pieces firsthand. Art transcends language, culture, and time!
In this series of monthly “conversations,” Michael VanHartingsveldt will introduce examples of Japanese art that may provoke emotional responses through traits that are “unsettling” (henna) and "isolating" (sabishii). These lively discussions invite participants to engage with Japanese visual culture of various time periods and mediums where they will not only learn fundamental information about how the art was made and how it functioned but also encounter obscure Japanese concepts and art objects.
The fourth session will meet in person at the Japan Foundation, Los Angeles, on Wednesday, September 25, at 7 pm and the topic will be “Art that Provokes (Imishinna Art).” Subsequent meetings will introduce other emotional responses.
Michael VanHartingsveldt
A PhD candidate in Art History at the University of Kansas, Michael VanHartingsveldt is currently writing his dissertation about the Buddhist sculptor profession in Japan between the eleventh and fourteenth centuries. His research uses the imaginative representations of Buddhist image-makers at work in illustrated legends and biographies to reconstruct the real-world process of Buddhist sculpture production. He has curated exhibitions, taught university courses, and presented public lectures about Japanese visual culture in California, Kansas, and Japan, and is now working as an Art and Culture Program Coordinator at the Japan Foundation, Los Angeles.
5700 Wilshire Blvd, Suite 100
Los Angeles, CA 90036-
jflainfo@jpf.go.jp
323.761.7510
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